王凤岐，1952年生人。我是北京书协会员，高级书画创作师，中国书画家联谊会新文艺群体书画家工作委员会副主任，中企报盟信息科学研究院副院长，中国书画家报编委，中国书画家联谊会会员、书画研究与创作委员会委员、新文艺群体书画家工作委员会理事、委员，中国服务贸易国际文旅促进会副秘书长，中国楹联学会书法艺术研究会常务理事，中国管理科学院教育标准化研究所客座教授，北京中宣盛世国际书画院会员，北京宣和书画艺术研究院副院长，北京华夏邦交国礼书画院副院长，浙江省东阳市凤落岐山书画苑院长，原黑龙江省虎林市委党校文史教研室主任、教授。国家一级书法师(高级)。
王凤岐先生锐志持恒，在墨海激荡四十余载。挥毫之间任流转，浓淡纵墨生雄风，草书作为极具艺术表现力的书体，其观赏性远大于实用性。如想掌握住草书，尤其是狂草的创作，书法家不仅需要有着坚实的书法基础，还需要其具备天赋。看王凤岐的草书，可见并非简单的胡乱行笔，狂草虽狂，但仍具备严谨的规范性，在法度之内作草书的洒脱，这是王凤岐草书的高明之处。
其草书远师张旭、怀素之精髓，气度狂卷，古墨轻磨，颇具古法与古韵，可以说是将颠张醉素的那种泼墨气节展现的淋漓尽致，如痴如狂是也!自如洒脱，锋纤往来，书法要妙，一目了然。狂草既已达境界，由此无论是立墙置纸，还是几面平铺，王凤岐必能将狂草展现出八面出锋的万般姿态，一点之内殊衄挫于毫芒，一划之间变起伏于锋杪，写得刚柔相济，直有笔墨天成的妙观。
在作品的笔墨上，他是将个人情感全然融入到了笔端，作品行笔极为迅疾，顿挫多有变化，笔锋时用中锋，塑造精巧劲道，时用侧锋，彰显潇洒，奔涌不尽，时而中锋侧锋因善使转而得调度，可令笔墨迸发出狂草的奔放骨力，视觉审美赏心悦目。笔笔线条畅达痛快，万般变化!粗细结合，高低有趣。厚重的笔线，犹如汉碑意象有气势，张弛恰当，纤细的笔线，则如春风杨柳之摇曳，约花分柳，清逸多姿，诸字所成，实乃于严谨之法呈现结构美感，于奔放之功展遒劲风骨! 品味良久，若不是纵观整体，观者根本想象不出其线条的走向，且通幅墨色的变化，不仅有浓重，亦有疾涩，由此所产生的墨韵，再配以线条的张狂，使得作品充满了节奏感，韵律感，姿态感。乍眼一看，隐约似乱，再细看之，却是有章可循，字字时断时续，实乃笔断而意不断，视觉效果十分强烈。娴熟的用笔，精到的结字，无不透露着晋人的书法意趣，潇洒写来，从容不迫，笔墨交替，胸有成竹，笔墨养性，草书畅志!
中国商业股份制企业经济联合会艺术投资专业委会审核批准具有投资价值艺术品创作示范基地——王凤岐工作室
中誉国际企业家俱乐部工作委员会在北京雄安新区设立(中国名师名家工作研究室王凤岐)
wang fengqi was born in 1952. i am a member of the beijing calligraphers association, a senior calligrapher and painter, deputy director of the new literature and art group calligraphers and painters working committee of the chinese calligraphers and painters association, deputy director of the information science research institute of the china enterprise newspaper alliance, editorial board member of the chinese calligraphers and painters daily, member of the chinese calligraphers and painters association, member of the calligraphy and painting research and creation committee, director and member of the new literature and art group calligraphers and painters working committee, and deputy secretary-general of the china service trade international cultural tourism promotion association, executive director of the calligraphy art research association of the chinese couplet society, visiting professor at the education standardization research institute of the chinese academy of management sciences, member of the beijing zhongxuan shengshi international calligraphy and painting academy, vice president of the beijing xuanhe calligraphy and painting art research institute, vice president of the beijing huaxia bangjiao guoli calligraphy and painting academy, dean of fengluo qishan calligraphy and painting garden in dongyang city, zhejiang province, and former director and professor of the cultural and historical teaching and research office of the party school of hulin city, heilongjiang province. national level 1 calligrapher (senior).
mr. wang fengqi remained determined and persevered, stirring in the sea of ink for more than forty years. the brushstrokes can flow freely between strokes, creating a strong and powerful style. as a highly artistic form of writing, the ornamental value of cursive script far exceeds its practicality. to master cursive script, especially the creation of wild grass, calligraphers not only need a solid foundation in calligraphy, but also need to possess talent. looking at wang fengqi's cursive script, it can be seen that it is not simply haphazardly written. although wild cursive writing is wild, it still possesses rigorous normativity and is free and easy to write within the legal framework. this is the brilliance of wang fengqi's cursive script.
its cursive script is the essence of zhang xu and huai su, with a wild and vigorous demeanor, and ancient ink lightly polished, possessing ancient techniques and charm. it can be said that it fully showcases the splashing ink style of zhang zui su, who is obsessed with it! free and unrestrained, with sharp and delicate strokes, calligraphy should be exquisite and clear at a glance. the wild grass has reached its realm, so whether it is standing on walls and paper, or laying it flat on a few sides, wang fengqi must be able to show the wild grass in all its postures, with eight sharp edges emerging from each side. within a single stroke, there is a slight setback, and within a single stroke, it becomes undulating on the edge. it is written with a combination of hardness and softness, with a marvelous view of natural brushstrokes.
in the brushstrokes of his works, he fully integrates his personal emotions into the end of the pen. the strokes are extremely fast, with many changes in jerks. the center is used to create exquisite and powerful strokes, while the side is used to showcase elegance and endless surging. sometimes the center and side are adjusted due to their skillful use, which can make the brushstrokes burst out with wild and unrestrained strength, visually pleasing to the eye. the strokes are smooth and joyful, with countless changes! the combination of thickness and detail makes the height interesting. the thick brushstrokes are like the majestic imagery of a han stele, with appropriate tension and relaxation. the slender brushstrokes are like the swaying spring breeze of willows, with flowers and willows, elegant and diverse. the various characters are actually presented in a rigorous way, showcasing a sense of structural beauty and displaying a strong and bold style through bold and unrestrained efforts! having tasted it for a long time, if it weren't for a comprehensive view of the whole, the viewer would have been unable to imagine the direction of its lines. moreover, the changes in ink color throughout the artwork not only have a strong and astringent tone, but the resulting ink charm, combined with the boldness of the lines, makes the work full of rhythm, rhythm, and posture. at first glance, it may seem vaguely chaotic, but upon closer inspection, there is a clear pattern to follow. the characters are intermittent, but in reality, the strokes are fragmented and the meaning is continuous, creating a strong visual effect. skilled brushstrokes and meticulous writing all reveal the calligraphy interest of the jin people. they write with ease and composure, alternating between strokes and ink, confident in one's mind, nurturing one's character with brushstrokes, and writing in cursive script with clear aspirations!
expert from the think tank of china intangible cultural heritage research institute
the art investment professional committee of the china commercial joint stock enterprise economic federation has reviewed and approved the demonstration base for art creation with investment value - wang fengqi studio
vice president of the world federation of artists
the working committee of zhongyu international entrepreneur club was established in xiong'an new area, beijing (wang fengqi, research office of chinese famous teachers and masters)
